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  3. Vol. 4 No. 1 (2024)

Vol. 4 No. 1 (2024)

Published: 2024-06-30

Full Issue

  • Full PDF

Studies

  • Theatre after Covid Innovation or Path Dependence?
    Christopher Balme, James Rowson, Thomas Eder
    07-25
    • PDF
  • How political values influence the functioning of theatre? The example of Tartu in Estonia in a comparative European perspective
    Hedi-Liis Toome
    26-46
    • PDF
  • The Weilian Concept of Attention and the “Autobiographies” of János Pilinszky
    Enikő Sepsi
    80-94
    • PDF

Case Studies

  • Perspectives on the social and communal values of the Frisian spoken performance The Diary of Anne Frank, a first impression
    Antine Zijlstra, Berber Aardema
    47-58
    • PDF
  • Connectivity is calling us In approaches to socially distributed and embodied cognition through theatre inspired by Woolly Mammoth Theatre
    Natália Nagy-Gleason
    59-69
    • PDF

Interviews

  • Cabaret and Beyond: Discussion about the Dutch theatre scene and cultural policies An interview with Quirijn Lennert van den Hoogen
    Szofia Tölli
    70-79
    • PDF

Critical Reviews

  • War of Triangles Bertolt Brecht’s Mother Courage and Her Children [Kurázsi mama és gyermekei] at the National Theatre
    Eszter Ozsváth
    95-102
    • PDF

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