A töredék esztétikája Mészöly Miklós műveiben
DOI:
https://doi.org/10.57227/Liter.2023.1.6Absztrakt
This paper examines Miklós Mészöly’s interest in fragmentary form, following his three collections of essays. The first part briefly indicates how this research can be related to the French tradition (Camus, Blanchot, Barthes), the second part discusses Mészöly’s particular reading of Wittgenstein.
